The Big Little Bookshop

I must confess. I like the idea of a big climate-controlled bookstore with its tantalising coffees and wafting smell of brownies. But I hate who I turn into when I enter one. Somehow, the big bad bookstore (and now I know I sound like Meg Ryan from 'You've got mail') takes you towards the idea of purchase rather than the idea of reading. Sure they have comfy armchairs where presumably you can sink in and read. But do you actually read? Do you rather flip the pages and hope you look intellectual enough or do you sit there reading a magazine while you wait for a mate to turn up so you can head towards the cafe section? Be honest.

Returning to the idea of the small bookshop, it is telling indeed that they have survived. It's indicative of the way the global economy has gone belly-up, hasn't it? Borders has gone into receivership and please do allow me a sadistic smile here (they sucked at the book business) and Amazon is like a prostitute- you check in, you click, you do the deed and button down and exit immediately- so that leaves us with what? Us refers to real book lovers, real readers and real connoisseurs of the fine but slightly lost art of real reading. I mean, the real smell of old leather bindings, the climactic crackle of a virginal book spine, the soft, sexy rustle of a thumb turning a page, the rhythmic tapping of a nail against a hardcover while pondering the meaning of the title, the real satisfaction of peeling away money in the pursuit of real knowledge. I mean that kind of real. Not the kind that buys the latest Salman Rushdie because one ought to or the latest A.S. Byatt because 'Good lord she's won something and I need to have a glance at it' or worse, the type that trawls through best-seller lists and then decides where to slap down twenty-five quid.

When I read stories of the small bookshop making a reappearance, whether in Bombay, London or Madrid or even Tehran, I feel a warm, molten, chocolatey feeling inside. As I see people hunched in tiny spaces between bookshelves, really reading, smiling a little to themselves, I feel relieved. We are not extinct!! Huzzah!

Lutyens and Rubenstein, a new little gem in Notting Hill. Simply Shakespeare, an almost undiscovered little shop in Calcutta. This is where you find real books, creatively displayed with minimal fuss but maximum impact. Most likely here you will also find an owner or manager who doesn't blink stupidly when you ask if he has the unedited version of Wasteland or C.S. Lewis' non-fiction work. He or she will wisely not only guide you to the correct shelf but will also recommend companion books or ask if you agree with the premise of the work, thereby generating a stimulating discussion and your quota of intellectual exercise for the day.

No, I do not mourn the demise of ugly superstores. I am Meg Ryan with my cause for the little bookshop around the corner except that I won't end up marrying the idiot who owns the big bookstore just because he's cute.

I doff my hat to the people who have the unmitigated courage to open a little bookshop in this troubled climate and do not pander by selling accompanying cartoon stickers of Spiderman as an incentive for children to read. I salute the parent who drags his child into the less glamorous arena of the little bookshop and trusts that the Mad Hatter's Tea Party will be sufficient to intrigue his child. And I definitely salute every writer who chooses to read at a small, real bookshop where the listening audience asks intelligent questions because they've actually read the book they're holding.

A case of the fedups.

I've got a case of the fedups. I've been trying to stay all positive, even reading silly books like Eat, Pray, Love (excellent substitute for inducing vomit in my very personal, absolutely minority opinion) and wondering what's happening all around. Friends tell me I'm just crabby because I don't like the monsoon. Some say I am sadder about Michael Jackson's death than I realise. And some think I'm generally disgusted with the shambles of the world we are living in. Now this is all true. I mean seriously, between Facebooking each other, writing random rants like this one, following macrobiotic diets to no avail, wasting money on really bad books, watching inane drivel in a movie theatre, reading trumped-up news with terrible grammatical errors and generally naffing off, what's the real deal these days?

When I was in London, I heard the same rants from friends. When I was in Geneva, even the Swiss jumped about like a large red tropical ant had eaten its way through their skisuit and was chomping on a wealthy bum. While I am in Bombay, I realise that the most exciting thing that people were talking about was a shoddy bridge connecting two parts of the city, with the worst emergency provisions I've ever seen in a so-called developed city. And I mean just lighting. Forget about accidents. Better to jump into the water and pray to an unhearing god.

All we seem to do is hear, talk, see, listen, explain, bitch and verify the same old shit. Politicians are crooked from the House of Commons in England to every house in India. Celebrities are dying of cancer or drug abuse and their funerals are nothing but hammy, showy, badly directed cheap television where even children aren't spared. Corruption ranges from charging a battery for 88p to government contracts handed out to unworthy sons-in-law. Google and Microsoft are at war again, as if there aren't enough wars to keep us busy and in danger until 2050 at least. Recession tales have become competitive- who's more screwed, you or I? The news channel are still worried about who is dating whom and is that his long-lost daughter? Oh no, wait, that's just Woody Allen again.

In the middle of this white noise, I am wondering, are books the last refuge? Are they really? Or are they becoming the same monster? Publishers will only publish already published famous authors because in this scary economic situation, new authors aren't a safe bet? Or will a new author bring down the aristocracy by writing a 'popular' book with very little literary life to it and yet win an astonishing prize? Shall we just stick with the classics? And yet, I walk into bookstores untiringly, only to find that people are really just there for the coffee and brownies. They are only there to 'pick up a gift for my friend's kid's birthday party' or only there because a popular socialite is 'doing a reading' of a book they haven't even read.

As I said, a case of the fedups. Where nothing seems to be worth writing about or doing or listening to. And if you are going to come up with some homily about life is beautiful or some such similar crap, spare me. As I said before, self-help writers make me vomit. And since when has it been politically incorrect to correctly identify the absence of genuine inspiration as just that?

Whatever happened to a good old-fashioned rant about the mediocrity of mankind and the accuracy of Thoreau?

A 'Q and A' session

If I were Vikas Swarup, the author who wrote Q&A, on whose book the movie Slumdog Millionaire was based, I'd be slightly confused about whether I should be ecstatic about the Golden Globes or have mixed feelings about my countrymen. The GGs of course are great and all the fanfare that comes with a lovely movie which I am yet to see but I'm more concerned about the book. Sure it had won plenty of critical acclaim and awards but how many of the author's countrymen had actually read it before the movie came along?

Today the Indian media is carrying all these articles about how various directors from the Indian film fraternity had long ago realised and recognised the potential of the book and had gone a-begging for the film rights only to find that the author had already quietly sold them to someone who had beat them all to it. Then there were a hundred opinion polls about which Indian film director would have been the right person to direct the film and given the book the full justice of its potential. Then there are the inevitable lists of top best-sellers in the country. Remember Aravind Adiga's The White Tiger? That made it to maximum bookshelves after the Booker? Even Jhumpa Lahiri's book Namesake found great fame after Tabu and Irfan romanced their way onto international screens.

And now it's Vikas Swarup's turn. Q&A is suddenly appearing on people's bookshelves. Over the last week, I've had several friends and relatives call to ask me: hey you read a lot, right? Umm, yes I try to. Then you must know the name of the book that Slumdog Millionaire was based on? Yes I do. What is it and where can I get it? Have you read it? Yes, a couple of years ago, actually. So, is it still available everywhere? Is it good? Is it the same story? Well yes, but with a few changes. But the boy's in it, right?

Now, if I were Vikas Swarup, I'd be in tears. When did it become so, that a movie reminded people to read? That a film brought an author's work to life? Gave a good book the respect it deserved well before the movie? Danny Boyle's superb film has certainly worked wonders for what must be freshly minted editions of the 2005 book suddenly gracing the glitter-pack's bookshelves.

That day isn't far when kids stop doing book reports and do DVD reports on the book. I certainly hope I'm dead before that.

The wily fox

I recently read Aravind Adiga's 'The White Tiger' which won the Man Booker Prize. And I confess that I enjoyed it more than I expected to because I am not partial to books set in Delhi. It should have really been called The Wily Fox, is my humble submission but Mr. Adiga has every right to name his own book. However, I am left with a very important question that won't go away. Did it deserve the Man Booker? To honour the format of Adiga's book- a letter to the Premier of China- I'll do the same.

Dear Booker Prize Selector,
This is not a letter stemming from envy, jealousy, peevishness or the sour-grapes syndrome. But one of perplexity. I read The White Tiger only because it had won your esteemed prize and if most of Bombay's readers are honest, they'll admit to not seeing it on the city's premium bookshelves before the honour. The book is interesting, comical, tragic and highlights issues of great importance. But nowhere in the book did I feel that it stayed with me for a long while. In any great book, some form of extreme reaction or repsponse is provoked. Whether you contain it or exhibit it, depends on who you are. This book did neither. What I do understand and appreciate, is that it boldly threw open the doors of the ugly Delhi and its even uglier people (which we Bombayites love to read about) to the world. Since India is 'hot' and everyone wants a piece of it, to chew, screw or brew, I applaud that the 'shocking' tale of Balram Halwai went against the tide of the newly popular India and instead made people look at how shameful it can be. I praise the author's courage and his cleverness in doing it through his unique letter-writing protagonist.

But I am left to wonder, dear selector, was this book judged for its timely subject, its contrariness and at some point, was its literary worthiness and indeed linguistic beauty (or lack thereof) considered at all? Or is it the trend to give Indian authors the credit that's been due for a while now and this seems a rather good way of settling debts?

I once received some feedback from a lovely young editor at a big publishing company about a story I sent her, saying that at this time the publishers were looking for stories more relevant to India and not written for a Western audience. Fair enough. After all, it's the book Business. So what then is this Booker winner? If not pandering to a Western audience? It's certainly of very little interest or eye-opening significance to an Indian audience. My dear selector, we live here. We already know. We also learned long ago how to ignore. We let our politicians pretend to care. We let our socialites ooh and aah. We, the real Indian audience, trod on, sometimes becoming Balram Halwai ourselves!

Mr. Adiga has done a fine job in exposing and dashing the myth of 'India Shining/Rising/Climbing' and all other fairly undeserved praise that India has gained in the Western media. But ceteris paribus, what was the final nail in the coffins of the competing authors? Most of their books read beautifully, with sentences that stayed in one's mind for months to come. The White Tiger may be many things but to a voracious and versatile reader, it does not bear the hallmark of a 'fine book' or even the kind of 'literary elitism' the Man Booker has often been accused of in the past!

Or has irony prevailed? That in the felling of the giant 'India Shining' myth, Adiga's book has actually won because Indian authors are the new 'it' things.

Sincerely,
A confused reader/writer.